M309: Vreeland Miniature Mourning Doves

Outstanding pair of diminutive hand-carved miniature mourning doves by Harry and Norma Vreeland of Greenlawn, Long Island, New York, circa 1965. Each dove, with raised wingtips, fluted tail and glass eyes, is mounted on the perch with wire legs and feet and measures only 2 1/2" in length. Overall, the piece is 3 1/2" wide and 3 1/2" in height. The birds exhibit minutely detailed and exceptional feather paint in mint original condition. The carving is signed "VREELAND" on the back of the base. Working as a team, Harry carved and Norma usually painted, although Harry was also a very accomplished painter. His painting is almost indistinguishable from Norma's. Much of their work, which was featured in the Winter 1974 issue of North American Decoys Magazine, was sold through The Crossroads of Sport in New York City. SOLD

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M308: Harry Vreeland Miniature Bobwhite Quail Pair

Outstanding pair of diminutive hand-carved miniature bobwhite quail by Harry and Norma Vreeland of Greenlawn, Long Island, New York, circa 1965. Each quail, mounted on the base with wire legs and feet, measures only 2" in length. Overall, the piece is 6" wide and just over 4" in height. The quail exhibit minutely detailed and exceptional feather paint in mint original condition. The carving is signed "H. VREELAND" on the back of the base. Working as a team, Harry carved and Norma usually painted, although Harry was also a very accomplished painter. His painting is almost indistinguishable from Norma's. Much of their work, which was featured in the Winter 1974 issue of North American Decoys Magazine, was sold through The Crossroads of Sport in New York City. SOLD

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D0696: Paul Lipke Mallard Hen Decoy

Rare hollow mallard hen, circa 1940s, in mint original condition by Paul Lipke of Whiting, Indiana, at the southern tip of Lake Michigan. This decoy, which measures 17" in length, 6" in width and stands 7" high at the head, is pictured on page 181, Great Lakes Decoy Interpretations, Kangas. Who made the decoy is known. What isn’t known is who Paul Lipke was. In April of 1985, depending upon which source you hear it from, a picker showed up at the Midwest Decoy Collectors Association show in St. Charles, Illinois, with between two dozen and four dozen decoys by this maker. All the picker knew was the carver’s name and hometown. The decoys were hollow-carved and flat-bottomed with weights bearing the initials “P.L.”. They had varying head styles with a fat, cheeky appearance and exhibited a strong Mason Factory influence, particularly in the paint patterns. They were estimated to have been made between 1940 and 1950. A buying frenzy ensued and when the dust cleared, the decoys were scattered from Illinois to New England. Little has been learned of Lipke since, and some collectors even question his existence. What is without question, however, is the fine quality of these decoys. This decoy was obviously patterned after the Mason Factory's Premier mallard hens. This is the only mallard I've seen by Lipke who is believed to have made only one rig of decoys, consisting of roughly 50 bluebills, blue-winged teal, redheads, canvasbacks and mallards. Further information on Lipke can be found in Decoy Magazine, Summer 1985, pgs. 32-33 and in The Great Book of Wildfowl Decoys, Enger, pgs. 224-227. SOLD

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D0753: Trulock & Harriss TRU-ISS English Wood Pigeon Decoy

Rare hollow English wood pigeon decoy made for the gunsmith firm of H. Trulock & Harriss, London, U.K., circa 1912-1916. Made from a cast and chased aluminum alloy, it was patterned after wooden examples made for the famous gunmaker around the turn of the 20th century. The wooden versions are felt by many collectors to be the best examples of English wood pigeon extant. This decoy retains its original glass eyes and is in very good to excellent original paint, retaining much of the red breast and bill paint, dark gray back and wings, black wingtips and tail bar and typical white markings at the wing edges and neck. The decoy was made in three pieces; an upper body, a lower body and a spring-mounted head. An integral wire stake is attached, designed, along with the"bobble-head", to allow motion to a set of birds. Cast true to the form of the wooden examples, these decoys have strongly emphasized shoulders and detailed primary and tail feathers. This decoy has four impressed notations on its lower half: "THE TRU-ISS DECOY", "HARRISS'S PATENT No. 21550", "H. TRULOCK HARRISS GUNMAKER" AND "PICKERING PLACE, ST. JAMES STREET, LONDON". The pigeon measures 13 1/2" in length and 5" across at the shoulders. SOLD

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M302: Silas Owen Flying Pheasant Wall Plaques

Pair of miniature pheasant wall plaques (rooster and hen) by Silas E. Owen (1903-1967), Waubay, South Dakota. Silas, who was three-quarters Sioux and one-quarter Scotch-Irish, made a few working duck decoys and miniature standing ducks and geese but mostly wall plaques of flying ducks, geese and pheasants. His carvings were sold in nearby souvenir stores and a local resort bait shop as well as on special order, but he was not against trading his carvings for drinks at the local bar. He carved from the mid-1940s until close to his death in 1967. Many of his carvings are signed or had a paper address label stuck on. Some are just dated with the year they were made. Most of them are carved almost in the round with good detail and boldly realistic paint patterns. These two pheasants are in excellent detailed original paint with carved wing primary feathers and notched tails. The hen has two small chips on the wing tips and the rooster has one. They each measure about 9" to 9 1/2" in length, 6" from wing tip to wing tip and 3/4" in thickness. The hen is signed on the back, "Pheasant hen, Silas Owen, Waubay, S. Dak." The original prices ($5.00 for the rooster and $2.00 for the hen) are written on the backs. SOLD

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M303: Frank Townsend Flying Pheasant Wall Plaques

Pair of miniature pheasant wall plaques (rooster and hen) made by Frank E. Townsend, Bloomfield, New Jersey, circa early 3rd quarter of the 20th century. The cock is almost 14" long with a 9 1/2" wing span while the hen is 12 1/2" long with a 10" wing span. Structurally, this pair is three-dimensional. They are carved roughly two-thirds in-the-round with the upper wings and bodies resting flat against the mounting surface while the lower wings and tails are angled out and away. The excellent original detailed feather paint is strong and bold on each. The wings are carved separately from the bodies. There are several tight cracks where the lower wing of the hen joins the body. SOLD

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M305: Northern Bobwhite Quail Carving

Excellent male northern bobwhite quail, circa 3rd quarter, 20th century. It was found in Connecticut but the carver is unknown. The highly detailed and well blended original paint is in near-mint condition with only minor wear at the tip of the tail. The carving has incised wings, a fluted tail, glass eyes and real taxidermy feet. Measuring 7 1/2" from the tip of the tail to the tip of the bill, it's on the small side of life-sized. It stands about 8 1/2" high including the base. SOLD

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D0751: James Rolph Wood Pigeon, Circa 1900 - 1910

English wood pigeon decoy attributed to Francis Rolph of Lakenheath, Suffolk, United Kingdom, circa 1900 - 1910. He was the area's largest dealer in all manner of birds and game. After inquiries from customers, he began making decoys as early as 1880, concentrating on pigeon decoys. The body is somewhat rectangular in cross section, reflecting the exclusive use of hand tools in the making of his decoys. Lightly used with a pleasing patina, this stylish pigeon with its original wooden bill and separately carved head is slightly oversized, measuring almost 15" in length, 3.75" in width and slightly over 3" in depth at the breast. It has relief carved shoulders and wings and white glass eyes. The full-bodied carving is in original paint depicting the species' fall plumage. The separately carved head is most unusual in decoys of this species. In fact, his decoys are the only ones I've seen by English carvers displaying this characteristic. Francis was the father of James Rolph, himself a decoy maker and father-in-law of William Jaggard who joined the family business in the early 1930s. James Rolph's decoys are quite similar to those of his father except that the heads are carved as part of the body rather than separately. Stand not included. SOLD

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